Sep 24, 2011

Beethoven Sonata op. 111

With unexpressable joy and satisfaction some minutes ago I received the second part of Sonata op 111 of Ludwig van Beethoven uploaded in the USA by David Hertzberg from classicvinyl.biz. after some months of waiting and hoping due to youtube restrictions to post posts over 15 minutes on ordinary accounts.
Today I asked him once more how to find a solution to post it and he reacted kindly and - immediately.
So here is complete op. 111 by Jörg Demus 1970 at Bonn on Beethovens Graf grand.

As op. 111 is my favorite Beethoven Sonata I would like to introduce a separate post on it here, though you find the same piece in the article about Beethovens pianos also ...

I would like to thank David to share this super-rare treasure, quoting here his included text:

In this rare 1970 live recording, made in Bonn to celebrate the 200th anniversary of Beethoven's birth, Austrian pianist Jorg Demus performs on Beethoven's Graf piano the first movement of Sonata no. 32, Op. 111 in C minor. I created this video from the double LP shown above, issued in 1983 by the Musical Heritage Society. Extensive notes, penned by Demus, about the Graf are included in this video.



Movement 2: Arietta: Adagio molto, semplice e cantabile

Alfred Brendel schreibt, die Sonate 111 wirke in doppelter Weise: „Als abschließendes Bekenntnis seiner Sonaten und als ein Präludium des Verstummens."
Alfred Brendel writes, the Sonata 111 workes in double way: "As a final confession of his sonatas and as a prelude of falling silent."

Autograph of op. 111 in the digital archive of the "Beethoven-Haus" in Bonn


 In case you like to hear op. 111 on Beethovens Graf uninterrupted by clicking on your computer here is a playlist with both parts on youtube.

finally a link to the pianos Beethoven had
David, thank you again and again!


Sep 3, 2011

ragtime





" Not fast "


we all know ragtime as some somewhat "mechanic" music, often performed from rolls on bar pianos out of tune ...


Regardless whether the following examples of ragtimes are perfect regarding "original speed"   I post some astonishing  examples how ragtime can be heared as well ...


immagine a ragtime like this played on historic pianos this way - not hammered through without feeling.
Did you ever notice the quality as a ballade in a ragtime?

I by the way do not that care whether the scores indications regarding speed are respected perfectly as long as the music "feels good" ....
Same feeling I expressed when I wrote some words regarding "rubato" ...

Score - The Strenuous Life (Scott Joplin)
Did Joplin desire to express "strenuous" as a mechanically continuous flow of action with little modulation or did he desire to express something beside the pure score what I'd like to hope? Was this title written 1902  influenced by a speach of president Roosevelt from 1899? And what might be the real conclusion? It is a pity we do not have records left apart of some piano-player rolls, but better than nothing. So let's have pleasant moments with Joplin anyway.


And now back to the same person again, same piano, seeming less thoughtfull, played faster ...

feels more correct, known, but is a completely different sort of thing...



It is working on other ragtimes obviously as well:


I found a beautiful discussion regarding ragtime beween these both ... and have to state that speed is not all



43 Meyrick1 commented:  Bravo!
You have a unique style and you play like a true musician. I love your slight changes of pace. I think if ragtime is played to strict time, it might as well be played on a pianola.

The Saint Louis rag - Tom Turpin
Bösendorfer 1880 by Michael Szécsényi

I'd like to finish here with the quotation of a pianistic earthquake:
Bach Played Lewd by Brett Youen
Apart of the fact I like most his Solace really a remarcable piece that combines classic with modern times ...
Brett Youen contact

Find here some further scores of Scott Joplin in case of need ...

last not least my still rapidly growing playlist on youtube regarding "ragtime" in general ...


I'd be grateful for further posts or suggestions regarding "living" ragtime on real/historic instruments

outstanding one of his last performances until John Arpin (Toronto) died:

http://youtu.be/ikA5ciTwT3s
 embedding is not possible, so please click above.

please note the sublime rubato and the tender embellishments.
There are so few recordings left with Joohn Arpin, but I am grateful to know at least these.


Last, but not least: An interview
"Meeting Scott Joplin"

...a terriffic document fixing perfectly the spirit of the age ...